Portraits of Dovid K. and “Kester Ridge.”


Actor Dovid K. was raised in Los Angeles, and he came over to our neighborhood last week for some agency photos.

The houses in our area (Victory/Kester/Columbus/Vanowen) were built in the 1950s, and due to the modesty of the neighborhood, many look roughly the same. There are the criss-crossed windows, the board and batten siding, the pastiche of architectural decorations that mid-century developers affixed to facades to make them warmer and more appealing.

The vintage styles have weathered six or seven decades and endured as archetypes of the San Fernando Valley. This section of Van Nuys was ideal because it was walkable, just across the road from the high school, near the shopping centers along Sepulveda. Those were the days when children rode bikes and walked to school and there was always someone home to greet them at 3pm.

Times change. Children don’t walk, they are driven.

Behind the house on the right someone is building an ADU out of an old garage. They installed solar panels like many of their neighbors.

This sign belongs in the archival collections of Valley Relics.

This totem statue was erected by a previous owner and still stands.

This house will have a new ADU in front, an adaptive revitalization of a classic Valley ranch house from the early 1950s.

There is something about the middle 1950s that endures in many of the houses, a cozy casualness of not so big houses with big lawns, semi-circular driveways, trees, hedges, and decorative lampposts. A lot of it is not so up-to-date. If this were Studio City or Brentwood these houses would have been long gone, demolished and replaced with white faced behemoths and tall gates and enormous SUVs on every property.

Sadly, many of these houses sell for over a million and are not quite starter homes. But they are home for many who inherited them from parents, with low property taxes and little or no mortgage payments. For the lucky ones who got lucky, this is kind of a paradise, guarded by NextDoor and patrolled by helicopter, seemingly an American paradise on the ground.

And it makes a good backdrop for a young man who channels the 1960s.

Return to East Rustic Road.


One sweltering day, sometime in July 2012, I left Van Nuys with my camera to escape the 105 degree heat.

I got off the 405 and drove west, towards the ocean, along San Vicente, until I came into a picturesque canyon, shrouded in fog. I parked my car and ventured on foot to photograph the trees and the architecture in cool, refreshing tranquility.

I walked up East Rustic Road where there was, indeed, rusticity in nature and architecture. I stopped on the sidewalk along the street and beheld the glory of clouds coming down from the hills. All around were birds and flowers, fragrance and song.

And then, suddenly, a shrill voice yelled at me, “Why are you photographing mailboxes on this street!” 

Dazed, stunned, I was speechless. 

Who the hell was screaming at me? I looked around and an old woman came out of a garage of a house.

“I was driving up the street and saw you taking pictures of all the mailboxes! What are you doing here!” she demanded.

Now pissed off that I was being interrogated, and my right to walk and photograph on a public street was being infringed upon; appalled at her lying and false charges; I talked back. I said something like who are you to ask me? Did I need a permit to take a photo? Did I need to ask your permission to photograph a cloud?

“I have a right to know!” she screamed again.

Then an old man (her husband?) came out the front door and yelled, “If you don’t get off our street we are calling the Santa Monica Police!”

Not eager to incite, I walked away.

My beautiful, serene, moment of enjoyment was spoiled by these two irrational people.

I vowed that one day I would come back here and shoot photos again, perhaps some portraits of an actor.

This past weekend, nine years later, I did just that. Without incident.

Model: Cheyne Hannegan

The Streets Were Spotless


On Sunday I went to Burbank to take photos of a 25-year-old actor. 

We met at Chili John’s, a “World Famous” landmark, now out-of-business, a spot of streamline slickness with a neon sign, all of its recent Covid signs still intact. Somewhere I had read that preservationists were fighting developers on this site but could not pull up any stories to verify.

It was Burbank so there were no people around, just an empty parking lot, spotless, without litter, tagging or anything vandalized. The rains had washed the skies. In the distance, past Glendale, sharp and clear, stood the eternal San Gabriel Mountains. 

I got there before he did, and I walked along Burbank Boulevard where the cherry trees bloomed, and one specialty liquor store was open for contactless delivery. Through the window, I saw a $24 bottle of Riesling and moved on.

On Sundays, in Burbank, there are always old, spotless cars driving around. I saw a VW Beetle turn right. 

After that notable vehicle sighting, the actor from Springfield, MO appeared. 

He had just taken a Zoom acting class. He had long pandemic locks and beard and was quite chippy and happy with himself as he ran his hand through his hair and made goofy expressions with his face. He took out a guitar, which he doesn’t play, and he soulfully strummed it for our shoot. 

He had a backpack, a wool driving cap, zip up boots, tight pants, overcoat, trim denim shirt. We shot some photos of him along the long white wall where its red painted parking in rear. He talked about his end days Christian friends from Missouri and trimming his chest hair and how he comes from the same town as Brad Pitt.

He said he was happy in Hollywood, happy to meet cool people, happy for people who were signing him up and taking him to Peru for work. I think.

He told me he had access to a super high resolution Blackmagic Production 4k Camera, and if I wanted to use it on some other day I could. 

He left his stuff in the back, behind the store, and we walked up front to the sidewalk. I had no fear any of it would be stolen. But he went back to retrieve it and then rejoined me on the sidewalk where I directed him to slump down into the doorway and look down the street as if he were a tired, exhausted traveler.

We had free reign, with nobody nearby.

There was also no trash, no litter, no fast-food wrappers, no condoms, no homeless, no shopping carts; just an empty place all around, with store windows and shuttered businesses. After two hours, one masked pedestrian walked by.

That Sunday, Burbank was the Los Angeles that once existed, the hygienic wonderland of donuts and burgers and whimsical cars, chlorinated swimming pools, empty sidewalks and freshly washed streets.  It was dead but it was a delight, and somewhere nearby I imagined a crew-cut kid with blonde hair and plaid shirt riding his Schwinn.

When I was done, I drove through North Hollywood and crossed back into chaos, filth and disorder, past an invisible wall between dreams and reality, past and present, Los Angeles and Burbank. 

The Shoe.


The Shoe

The young actor with the pompadour walked into North Hollywood’s Pit Fire the other night. We sat at a table, under the counter, near the open pizza oven. I had bought us both a large brown bottle of Arrogant Bastard Ale.

Short, compact, muscular, self-confident, courteous and boyish, The Shoe is a practicing marital artist, aspiring actor, and currently a bagger and cashier at Trader Joe’s.

He took a sip of the beer. “This is my first legal drink!” he said. He had been 21 for only 10 days.

“Oh, man I have so much energy,” he said. He had been down with his posse in Orange County, dancing up fights and performing in front of the camera. He wore a black and white striped knit hat and brand new Led Zepplin t-shirt.

Every tight-assed young girl who walked past us elicited his stares and then he would turn back and continue our conversation.

The Shoe had only been in LA for a few months, and lived with his girl in an apartment on Riverside in Valley Village. She was working as a stunt actor.

“Hey, have you ever been to Catalina?” he asked me.

“No,” I said.

“Man, we have to go! You, me, and my girl. They have a haunted house there!” he said with those lit up eyes and gravity-defying hair. I felt like I was Sal Mineo to his James Dean.

The Shoe devoured a small salad. I ate a large pumpkin pizza. He told me to go ahead and enjoy myself. “You have to eat!” he said. I envied his optimism and ability to stare into 2000 calories without fear.

He was sighing after the meal, thinking of everything he wanted to accomplish in life, now temporarily postponed getting up at 4am to work at T. Joes.

We finished our meal and he walked me to my car. The night was windy and cold and I was bundled up in a down jacket and wool crew-neck. He gave me a big dude hug and I thanked him for meeting me. “No. Thank you for inviting me,” he said.

The Shoe jaywalked and skipped and ran across Magnolia, cutting a sharp diagonal across the street, disappearing into the night.

David Mingrino


3155184646_4925de3e37_oDavid M., originally uploaded by Here in Van Nuys.

Perhaps one of the most distinguished and accomplished actors living north of Victory and east of Sepulveda, sat for a portrait today. Presenting: David Mingrino.

Famous Actors of Van Nuys.


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Beans M., originally uploaded by Here in Van Nuys.

“Beans Morocco”, my neighbor.