Stop, Thief!


Yesterday, around Noon, I went to meet my brother for lunch near his office at LaBrea and Wilshire.

I was early. We weren’t meeting until 1pm so I took a walk along the south side of Wilshire heading west, passing Detroit, Cloverdale and S. Cochran.

On the north side of Wilshire, I saw a middle-aged Asian woman in a green apron chasing a red-haired, plaid shirted male east towards Detroit. She was screaming, “Stop him! Stop him!” He kept looking back and outran her, eventually boarding a bus parked at Wilshire and LaBrea.

I ran too, crossing the street, breathlessly getting on the bus and telling the driver, “You have a man who just robbed a store on your bus. He is in back. I am calling LAPD!”

The driver waited. I called LAPD and reported a “hold-up” of a store on Wilshire and that the suspect was aboard a Metro bus. The police operator made me repeat the description of the suspect several times (“red hair, plaid shirt, middle-aged, white”).

I stood next to the bus, on the sidewalk and waited. The bus and its passengers, including the suspect, waited.

Then after about ten minutes, cops arrived.

Two police cars, including one unmarked, pulled behind the bus, shoved the rear engine cover up and crouched down, drawing their guns. Another car of cops went in front of the bus, and the police told us to all get out of the way.

I ran to the corner with others, and we watched, behind building at LaBrea, as the cops worked.

Then the driver got off and pointed at me, and a cop, his silver gun drawn, rushed at me and told me to put my hands up, to face the wall, to get down on the ground. His partner also ran at me, and I yelled, “I’m the one who called the police!” My hands up in the air, guns aimed at me, I was suddenly endangered and suspected of something. I don’t know what.

I was told to hand over my wallet and ID. And then I was allowed to put my hands down. The officer asked if my current address was the same as the one on my driver’s license.

“Yes, sir. Yes, sir. Yes, sir…”

The suspect was removed from the bus, laid down on the sidewalk, handcuffed, and the other passengers got off and ran to another bus, parked down the street.

My brother came out of his office in the Samsung Tower, crossed the street, and asked me what happened.

Sweat poured down my face. We walked over to a restaurant for lunch. I ordered an iced tea, sat down at a table, wiped my face with a napkin and told him the true crime story.

Later, after lunch, I walked down Wilshire to find the lady who had been chasing the robber. I found her inside a little Korean convenience store. The cops had already visited her. Speaking not much English, she thanked me for my apprehension of the suspect, an action that might have ended my own life.

She gave me a cold iced tea.

Oh, and she said the thief had stolen three packs of cigarettes.

The White City.


Many times have I passed the cement yard and concrete loft building on Romaine at LaBrea, never stopping or walking around the remnants of 1930s industrialism still present in present-day Los Angeles.


This past Saturday, I did stop, and parked on Romaine at Sycamore, behind the cement yard, in front of the Producer’s Film Library, housed in two story 1930s streamline building. Bold letters along the side announce CLIMATE CONTROLLED FILM AND TAPE STORAGE, already an industry preserving archival, not current media.

Without fanfare or specialness, there is a march of architectural glory along Romaine, a grouping of white structures; grand and confident, living, eternally young and confident, glistening and glorious against the blue sky, standing mutely on treeless streets and sidewalks.


Walk east on Romaine towards Highland and you will see a ten-story tall, long and narrow block of verticality towering over asphalt.

To your right, you will pass a one story curved building, gracefully and slickly embellished with rounded lines, rhythmic and functional steel windows.


At Highland, go south and stand under the crumbling grace of the old hexagonal Texaco station, a perfect jewel of Art Deco design, ravaged with cancerous vandalism, overhangs melting and dying.

On the east side of Highland at Willoughby, the magnificent white soap bubbles of the two story tall ALSCO factory speak of industrial architecture unafraid of plain spoken ornament.

No signs or guidance, no official sanction seems to value this district. Only the intelligence and intuition of the individual can detect the beauty, the drive, the fire and the dreams of old Los Angeles, the place that built for beauty 80 years ago atop bean fields and lettuce farms.

Get out and walk. Get out of the car. A city awaits.

Hands on LaBrea.


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Here on LaBrea, south of Beverly, there is a distinctive used furniture store with very colorful items placed in front. Any car or pedestrian passing by can clearly see these items which are intended to lure people into the business.

However, many tourists and some non-tourists with cameras, have been harassed by the owner who is very annoyed that the public sidewalk affords a good photo of his store. He has chased people away and tried to stop others from shooting his wares.

Is there any public law on the books which prohibits non-commercial private photography on a sidewalk? This is not an invasion of privacy, this store displays their goods openly. This is not paparazzi, there are no humans involved.

What is going on with our freedoms in Los Angeles? We allow cars to run through red lights at 60 MPH but we think that public sidewalks are somehow sacrosanct and off limits?