Sunday Afternoon on Kittridge St.


It was late Sunday afternoon in December, here in Van Nuys.

The air was brisk, the sun was low, a pork butt simmered in the slow cooker.

This is the time of the year when you can see the mountains beyond the orange trees.

Days are brief and what gets done gets done quickly. The Christmas season is sewn in living threads joyous and melancholy, lonely and familial; aching, sad, reverent and intoxicating.

Football, films, electronics envy; shopping, eating, packing presents; drinking orange beer under red lights where the smell of pine, vanilla and chocolate is pervasive, these are some of the elements placed here annually.

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I walked yesterday, in waning light, along Kittridge, a neat and well-kept street of homes between Columbus and Van Nuys Boulevard.

West of Kester, Kittridge is a ranch house neighborhood entirely built up after World War Two. Within living memory of some, this area was once entirely agricultural. What lay west of Van Nuys High School was the vast beyond of walnut and orange trees, ranch lands and open spaces. Within 15 frantic years it was developed or destroyed, depending on your viewpoint. And by 1960, it was the Valley we know today, structurally, not demographically, of course.

The homes here are solid, the lawns (mostly) cut. The flat streets and sidewalks recall a Chicago suburb, a place where American flags are flown, and bad news and bad behavior is kept quietly behind drawn drapes.

Van Nuys, CA 91405

Two friendly eccentrics were outside yesterday: a man who looked like Fidel Castro with an engraved “RICK” metal belt buckle, and his beer mug holding friend. They stood on the corner of Kittridge and Lemona as workmen re-sodded Rick’s lawn.

I spoke to them briefly, repeating my infernal line. “I write a blog about Van Nuys called Here in Van Nuys.”

“Here in what?” asked the beer mugger.

Here in Van Nuys,” I said.

“You work for the government?” he asked.

“No. Let me take your photo,” I said.

“No. You got a card?” he asked.

I handed him my printed business card.

“So you write what?” he asked.

“A blog, called Here in Van Nuys,” I said.

The older man with the Fidel Castro beard knew exactly what a blog was. He also complimented my camera and my quilted jacket.

I moved on after that, and crossed to the east side of Kittridge.

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On the east side of Kittridge, north of Van Nuys High School, the street is grounded in civic and religious solidity by the presence of St. Elisabeth’s Catholic Church and the enormous VNHS.

Rod Serling might have come here to film an episode of The Twilight Zone, so awash in normalcy and Americanism that one could be dropped here and think that nothing had changed in Van Nuys since the Eisenhower administration.

Notably eccentric and interesting collections of houses line the street, ranging from neat bungalows to sprawling pre-war ranches. They are placed on long, narrow lots, going back far, into deep yards, but they seem to have been immunized from the decline into squalor infecting some older streets in Van Nuys.

I stopped and stood in the parking of St. Elisabeth’s across from a tall white spire bathing in the remaining daylight. People were gathered, under umbrellas, for an event involving food and prayer.

And the second part story of my Sunday walk will continue in another essay….

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Friday Night Chrome.


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The chrome, metal, motor and wheels crowd gathered at Bob’s Big Boy, as they do every Friday night, to partake of a parking lot full of old restored cars.

One old man had an old crank shaft Model T and was showing a crowd how to turn the engine on.

There was a very long purple Cadillac, and more than the usual collection of mid 1960s Chevys.

Fifty-two Fridays a year, vintage autos and their lovers gather here; even as we fall deeper into the 21st Century, our hearts are stuck in place in a country and century that no longer exists.

Studio City Farmer’s Market.


And sometimes, on Sunday morning, after the gym, I go to the Farmer’s Market on Ventura Place, in Studio City, where I eat a Blue Corn Tamale with Salsa, walk around, and observe and pronounce judgment on strangers who look familiar but whom I’ve never met.

At the eastern end, near Radford, animals and children’s amusements are crowded into the street, under the mirrored façade of an office building reflecting light onto juvenile encampments of goats, chickens, rabbits and ponies.  A large, inflated trampoline hums with laughter and an electric generator.  A little Choo-Choo train carries parents and their popcorn-munching progeny around an improvised track.

There are fathers and mothers of all ages, and they all seem to have children between 1-5 years of age. Observing these parents, one sees education and ambition on lined faces, framed in semi-silver hair, who once came young to Hollywood, in search of work that could be prosperous and creative but found instead:  exhaustion, humiliation, and defeat.

These are not the round bellied, 40-year-old men in suburban Chicago or Houston. They are basically trim, stubble faced, capped in baseball and wearing the team hats of the TV shows they once worked on five years ago.  There is not a 40-year-old who dresses older than 25, and for that matter, there are barely any real 25-year-olds here. Perhaps they are sleeping off hangovers.

These aging crowds, in a street performance which could be entitled, “Facade of Youth” are like plastic and paper, to be constantly remade in the liberal precincts of Los Angeles. Their careers and lives, ever recyclable, will be trashed or used again depending on the whim of employer or lover.

I would like to come here to take pictures, holding my new Nikon d3100 DSLR with the interchangeable lens, but I dare not. A real camera is a real threat to this crowd. It is legal to photograph anyone, including a minor, in a public place, but the new custom, adopted by those whose individual lives might turn up 8,000 entries a piece on Google, is to deplore photographers.

Once, 30 or more years ago, an unlisted telephone number was enough to insure privacy. But today, Zabasearch and BlockShopper would probably uncover the age and home addresses of most anyone walking down Ventura Place with their environmentally correct canvas bag full of organic mushrooms and Meyer Lemons.

There is communal kindness and sartorial casualness on parade at the Studio City Farmer’s Market. It seems that people run into each other and exchange stories about what day care or diet their children are on. With sunlight and warmth bathing the fruits and vegetables, sellers and buyers, one feels marinated in the ideal recipe of life in the Golden State; a cornucopia of the imagined happy life….

But later on today, the market folds, the crowds disperse and the stands go away.

And the cars–speeding, honking and texting– will return and another week of busy unemployment will consume the lives of those who walked and shopped here on Sunday morning.

Los Angeles’ History: the Whittington Photo Collection.


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“The “Dick” Whittington Studio was the largest and finest photography studio in the Los Angeles area from 1924 to 1987. Specializing in commercial photography, the Whittington Studio took photographs for nearly every major business and organization in Los Angeles; in so doing, they documented the growth and commercial development of Los Angeles. Clients included Max Factor, the Broadway, Bullock’s, and May Co. department stores, the California Fruit Growers Association, Signal Oil, Shell Oil, Union Oil, Van de Kamp’s bakeries, Forest Lawn, Sparkletts Water, CBS, Don Lee Television, Goodyear Tire and Rubber, real estate developers, construction companies, automobile, aircraft, and railroad companies, and drive-in theaters. Another notable client was the University of Southern California, which contracted with the Whittington Studios for coverage of athletic and other events. The collection consists primarily of roughly 500,000 negatives; the rest are photoprints.”

Old Burbank in Photographs.


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Reader Boyd Kelly sent me a link where one can find many old time images of Burbank.

They show an all-white, all-American town, baked in sunshine; a place of boys and men in close-cropped hair, girls in braids, and women in dresses. Magnolia, Hollywood Way, Victory, Olive, Alameda, San Fernando Road: all the storied and exciting locations, sprinkled with cops, firemen, government officials, soda jerks, grease monkeys and the common folk. Lives lived out alongside the train tracks, or inside the studio grounds, saluting the flag, and kneeling in front of the cross.

Aviators and movie makers, weapons makers and homemakers, ball players and ice-cream eaters, swimmers and parade goers, Nixon rallies and Nazi gatherings….yes, this is Burbank as it was….and perhaps Burbank as it still is.