Up on White Oak Place


san fernando valley, originally uploaded by dugm2.

Up on White Oak Place last night: a party for a magazine launch.

The winds were blowing. Buzzing flocks of valet parkers ran to grab cars as partygoers arrived.

A for-sale mansion had been rented, an ornate and preposterously rococo place, elaborate and overdone; sunk under the weight of marble, chandeliers, heavy furniture and cartoon grandeur.

The event celebrated a new publication that will cater to the top one percent of income in the San Fernando Valley and those whose world stretches along Ventura Boulevard and up into these hills.

A Casa de Cadillac Cadillac in red was parked on the driveway. Young and sexy girls in leggy dresses, bartenders carrying trays of wine, and opulent tables of food from various restaurants in the Valley, were sprinkled around the backyard pool.

At one cheese table, I was instructed to eat ginger with a stinky Italian and to place honeycombs atop a goat, and consume silver painted chocolate.

Another table was full of thimble-sized pies whose ingredients were too small for my middle aged eyes to discern.

Big poster boards printed with San Fernando Valley photographs and graphics kept blowing over as the gusts blew across the panoramic backyard and pool.

After my second or third glass of wine, my tongue was unhitched from head, and anything that came to mind I spoke.

An ad salesman told me that his typical reader lived in a mansion “just like this” and that his Facebook page already had “4,000 fans without any publicity”.

I talked with a sharp Italian born professor who teaches languages at CSUN. Tragically, she was imported from Milan to Porter Ranch where she has lived for half a century.

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I went back into the house, detective and decorator, attempting to relate to the exotic style of furnishing inside.

In the dining room, a wide and tall glass fronted cabinet was filled and packed-like a rush-hour Tokyo subway- with Judaica: silver menorahs and tea sets, picture frames, glasses, engraved plates, silver Etrog holders, Kiddush cups, wine goblets. Three enormous black chandeliers danced satanically along the ceiling above onyx tinted granite countertops.

Near the center hallway, a heavy carved wooden desk presented the owner’s business cards for inspection, as if it were a hotel concierge conducting business. Multiple mezuzahs bedecked every interior door, bestowing blessings on bathrooms and bedrooms.

An enormous bathtub was surrounded by plastic bottles of Lubiderm which opened, without shame, to a stadium-sized bedroom where a leonine carved king-sized bed sat under a photographic portrait of a white-bearded Lubovitcher rebbe.

The house swung crazily between devoutness and decadence, minyan and orgy. Sadaam Hussein, Khaddafi, LL Cool J, Angelyne, Donald Trump: if they had collectively hired an architect, this is how it might have looked.

A small red room in the front was crammed full of more gold painted velvet baroque couches and chairs, pushed against the walls-like a Syrian police interrogation room- with a ghastly autographed, NBA orange basketball placed atop a pedestal for admiration….. or possibly worship.

The long wagon train of Jewish history had made its stops in Jerusalem, Tashkent, Tehran, Warsaw, Vienna, Tel Aviv; and finally stopped and unloaded 2,000 years of wares here on White Oak Place in Encino.

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Back in the backyard, I struck up a conversation with a quiet tanned gentleman dressed in an exquisitely tailored Italian blazer.

He had removed himself from the crowd, and sat alone on a lower level of the patio, where he and his wine surveyed the San Fernando Valley.

He told me he had just purchased the jacket that day, in a Goodwill store in Sherman Oaks. He worked as a caregiver to his 93-year-old mother and in his spare time took photos. One of his nighttime photographs of Ventura Boulevard was published in the premiere issue.

I knew then and there that he was like me, a real person in a fake environment, an honest loser at a party celebrating winners, an unemployed man, like many, who had lived in California his whole life and dreamed of escape from the Golden State.

I challenged him to arm wrestle but he said he wouldn’t because he might beat me. He warned me about driving intoxicated. And then he got up and said good-bye.

I waited and sat alone, around the floodlit pool, as sobriety slowly returned. Below me were miles of twinkling lights. And the wind was strong, the air bracing and refreshing.  And I was lost in my thoughts, cleansed, relaxed and free of worry, somewhere atop White Oak Place.

Shulmanism


The world needs another book on the late photographer Julius Shulman (1910-2009) like it needs another Katherine Heigl movie, but there I was, last night, driving to Woodbury University, to attend a book signing for the new Rizzoli photography book, “Julius Shulman and the Birth of a Modern Metropolis” by Sam Lubell, Douglas Woods, Judy McKee (Shulman’s daughter) and illustrated, of course, with Mr. Shulman’s voluminous and gorgeous architectural images.

In an auditorium, a large screen was set up in front of the audience. At a long table sat Craig Krull, whose gallery sells Shulman’s infinitely reproducible photographs for thousands a piece; a woman from the Getty Research Institute/ Julius Shulman Archive; Judy McKee, Julius Shulman’s only child and the executor of his estate; authors Sam Lubell and Douglas Woods; and architecture critic and author Alan Hess.

Shulman’s photography was the clearest and finest representation of the California dream after WWII. Through his lens, the world saw a state of endless innovation and mass-market modernism where mobility and technology might remake the lives of millions under the glowing sunshine.

Architects Neutra, Eames, Koenig, Lautner and Beckett hired Shulman to promulgate, promote and propagandize modern building and modern design. Through the 1950s and 60s, every freeway, every parking lot, every shopping center replacing every bulldozed orange grove was an opening to a grand and glorious future. The lone skyscraper in a sea of parked cars was held up as a model of how life should look. And Shulman was the master who made the desert of Los Angeles bloom.

The skyscraping of Bunker Hill, the lifeless streets of Century City, triple-decker freeways– they all were shot at the end of the day: shadows, textures and gleaming surface.

Mr. Krull called Mr. Shulman “the most optimistic man I’ve ever met.” Like Ronald Reagan or Arnold Schwarzenegger, Shulman loved the Golden State and kept his company with the most successful and accomplished men of his time.

The speakers last night, acolytes and worshippers, reinforced each other. The academic praised the archivist who saluted the authors who thanked the gallery who paid homage to the photographer.

Like Scientology, that other great religion of this region, Shulmanism demands fealty and loyalty to its founder and his work. To ask why Los Angeles has never lived up to its photographic glory is to risk blasphemy. To ask why Shulman, who lived for almost a century, did not turn his very observant eye, onto the less attractive parts of LA, is to insult the very vision and mythology he produced.

Mr. Krull also said that Mr. Shulman never thought his photographs were worth so much until the checks came in. Photography is reproducible… but oil painting, sculpture and the Hope Diamond are not. No doubt, Mr. Shulman knew that each of his negatives could turn out 3 million photographic prints. But art collectors and art sellers must be smarter than the rest of us. And Shulman’s work is the gift that keeps on giving. Publishers, filmmakers, galleries are going to go on licensing Shulman for as long as they do Warhol, Presley and Monroe.

Projected onto Shulman is the very ideal that modernism was moral. Once upon a time, myth-makers imagine, architecture was about making the world a better place. By omitting broken down and shabby Los Angeles, and posing happy children, well-dressed wives and various home furnishing accents, Shulman decorated and embellished his structural subjects. With biblical fervor and pixelated proof, these photos demonstrate to believers that paradise did indeed exist in post-war Los Angeles County.

At the end of the presentation, one of the authors spoke about his favorite photograph in the book: a 1930s image of a thriving and ornate corner of downtown Los Angeles with streetcars and pedestrians.

The Optimist



The Optimist

If you were to bullet point Mike Hewson’s biography, the list would sound sad:

• Grew up gay in the 1950s
• Drafted into Vietnam as a medic
• Returned to Los Angeles and worked in a hospital
• Cared for his mother during her 4-year ordeal and death from cancer
• Watched his good friends, all young men, die from AIDS.

But it was Abraham Lincoln who said, “People are about as happy as they make up their minds to be.” He might have been speaking about Mike, who was born on July 18, 1945, and moved to 16724 Morrison St. in Encino five years later.

He had an ideal childhood, with a stay-at-home mother and a father who worked as printing company salesman, and a younger sister, Deawn.

In those days, Encino was like a small town, with block parties and vast ranches and newly built houses. The 101 and 405 didn’t come through the Valley until the early 1960s.

He went to Encino Elementary and Birmingham High School. His family lineage, including many veterans of many wars, stretched back some 200 years.

He attended Valley and Pierce Colleges for two years and then studied to become an Operating Room Technician.

In 1967, he went into the Navy and later joined the Marines and went off to Vietnam for 27 Months. His nickname was “Flash”.

In his field hospital, 30 miles outside of Dan Nang, near China Beach, he assisted in neurological operations on wounded soldiers. Blood, suffering, the horrors of war, death and truncated and destroyed young men: all of these violent and horrific human tragedies marched before his young eyes.

He got down in the trenches and did anything he needed to do to help his fellow Marines. He was “Doc” but he was GI Joe too, never allowing his higher position to interfere in lending a helping hand.

He told me that everyone knew he was gay, but that he never heard one hateful remark. He believed that a lot of homosexuality went on in the armed forces, but that it was not an issue because survival and fighting mattered most.

Only politicians make an issue of it.

When he came back to the San Fernando Valley, in 1971, he was overjoyed to be back in the USA. He was still only 26 years old, and he went to work at Encino Hospital and lived as a single gay man in the Brady Bunch era.

Active in the Metropolitan Community Church, he also hung out with a group of friends who all died from AIDS. He and another buddy survived the lethal scourge of the 1980s.

Unlike many people who remember so fondly the San Fernando Valley and talk badly about its present condition, he finds that some things have gotten better. He misses the horse farms and orange groves, but he loves all the trees and greenery that has come up in the last 60 years. He remembers the view of the mountains that was so clear in the early 1950s, and now those views are returning as cars burn cleaner.

His last job was at Barnes and Noble in Encino, and he does regret the loss of the store, which was closed by greedy billionaire owner Rick Caruso and will be replaced with another CVS.

Mike is retiring to Puerto Vallarta. And at age 65, he will take his optimism down to Mexico, which is also a place where people have hard lives but smile frequently.

View NW at Wilshire and LaBrea


“Walkville” Opens in North Hollywood


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One of the most exciting developments in San Fernando Valley urban planning is nearing completion in North Hollywood near the Red Line Terminus. Walkville is a 5,000 unit housing development which is entirely green. Landscaped bike and walking trails wend their way alongside apartment buildings where children, seniors and families live.  The goal is to encourage walking, which explains the wonderful name:  evocative of health, fresh air and friendliness.

Locally-produced and sustainable materials, from Burbank, Sylmar and Pasadena were given priority during sustainable housing construction; roofs are commonly equipped with solar and photovoltaic panels, and make Walkville one of the largest home solar energy districts in Southern California. To encourage carbon reduction, a program supports tree conversation and planting. As far as water is concerned, a system for rainwater infiltration into the ground covers 80% of the residential area. A new ecological sewage system has been invented too, that reuses organic household waste and generates energy.  The LADWP offers Walkville residents a 35% discount on their water and electric rates.

Councilman Tony Cardenas, builder Eli Broad, architect Frank Gehry as well as architecture supporters Brad Pitt, Robert Redford (who grew up in Van Nuys and feels a strong connection to the town), Nancy Reagan, Michael Eisner, Barbra Streisand, Jennifer Anniston (who grew up in Sherman Oaks), Comedian Jay Leno (“If it’s made in Burbank I’m for it!”) and Maria Shriver all contributed both financial and public support to the $250 million dollar undertaking.

A five-acre orange grove, the first such agricultural planting in the San Fernando Valley since 1939, will produce over 500,000 oranges a year. Herbs, walnuts, organic milk and free-range chickens may be introduced to produce locally grown foods for consumption and sale. 1300 Valley Oak trees, native to Southern California, will shade the development. Small stores, selling everything from coffee to groceries to housewares, are planned on the Vineland Avenue side. The best news is that 70% of the people who have moved to Walkville have given up their cars. They will ride the Red Line train to Hollywood, downtown LA and Pasadena and take the Orange Line bus to Woodland Hills.

The article you have just read is a satire. None of it is true, at least for the City of Angels.

Minus the celebrities, it actually and accurately describes a real town, called Vauban,  in Southern Germany.

Here is the way things really are in LA, a city where the NIMBY needs of Brentwood and Beverly Hills outweigh the greater good for all.

1952 Floods: Centinela/Slauson and Centinela/Sepulveda


From the USC Digital Archives.

1952 Floods in Los Angeles.