Photographing Near the Sepulveda Dam.


Tim Schneider:  Sepulveda Dam

Recently, I photographed Tim near the Sepulveda Dam.

He was visiting North America from Muenster, Germany, spending a few months traveling around from Cuba to Toronto to Chicago. He bought a used van in the Windy City and rode out to California, criss-crossing the country through Illinois, Missouri, Kansas, Colorado, Arizona and finally ending up in California.

Tim was “discovered” one day outside a fashion show in downtown Los Angeles and signed to a small model agency whose owner hired me to photograph Tim.

He was in California tasting wine in the Santa Ynez Valley when a gunman burst into a Pittsburgh synagogue and killed twelve parishioners. I know because we were leaving the winery when a friend of mine from Pittsburgh texted.

Tim was in California, staying at our home, on November 7, 2018 when a gunman opened fire in Thousand Oaks, CA and killed thirteen people at the Borderline Bar and Grill. 

Tim was here for the Woolsey, Hill and Camp Fires and he walked and biked and lived among us under the smoky skies. 

A friend of mine let Tim visit him in San Francisco and the young German arrived in the most polluted city on Earth on Wednesday, November 14, 2018 when you needed a face mask to walk outside and the hazardous air reading was 300 near the Golden Gate, and only 29 in Van Nuys. 

Tim went to the Huntington Gardens, to Pasadena. He rode electric scooters with me in Santa Monica. And one morning I jokingly used Google Translate to wake him behind his closed door with a German woman saying, “Angela Merkel requests you to wake up.”

He came with us to our pot-luck Thanksgiving where we went to three neighbors’ homes for appetizers, wine, beer, the main course and an array of desserts. 

He celebrated our holiday of thanks, of gratitude, of wonderment, for our American blessings.  Blessings often forgotten or wasted or trampled upon by the ungrateful.

Tim Schneider: Sepulveda Dam

Tim worked as a landscaper in Germany so he came into our backyard, inspected our young trees and set about anchoring them in the correct way according to how he had been taught.

Anchoring a tree.

He is a vegetarian, so for almost a month there was no meat, chicken or fish served at home.  One night he fried potatoes and onions just like his grandmother in Schapdetten.

He was neat, polite, punctual, funny, good-natured, and open to advice. He eschewed the crowd thinking of his generation, preferring to use his own mind to navigate his own tastes in music, movies and pop culture. 

Unique to my experience in Los Angeles, he never didn’t show up on time, or fail to keep an appointment. He kept his word. When I brought him to Koreatown to meet a so-called filmmaker with 10,000 followers on Instagram and that person didn’t arrive, or text or email why,  I told Tim that was how people normally behave in this city. If they think there is nothing in it for them they don’t bother to show up.

He had stayed in crappy AIRBNB’s in a $20 a night place with three strangers. He had slept in his van in the parking lot of a Home Depot in Kansas City. He had stayed with someone he met on the road who allowed him to crash in El Monte. And then he was photographed by a hustler who called himself a photographer and never gave Tim photos because Tim kept his honor and his heterosexuality intact. 

The liars and the con-men and the grifters somehow passed over him without harming him.

This was the 20-year-old German man’s first visit to the United States. And he saw how we live, how we treat one another, how we co-exist. 

Often this nation recalls wistfully its battles against fascism and how freedom prevailed in 1945. We love to replay that song over and over again, thinking of the atrocities of the Nazis and how horrible that time was. 

Yet now we have a different kind of improvisational cruelty in the United States that happens suddenly with violent surprise. We think we are better, yet we tear gas women and children fleeing violence at the border and think we are defending our nation by keeping 5-year-olds separated from their parents.   We go on, living our lives, after random shootings, after walking past homeless people sleeping on the street, and play Christmas songs in the car while others pick food out of the alley dumpsters.

And now a young German man visits and reminds me of what civilized behavior and expectations are. And how sorely lacking in those we are in the City of Angels. But what can I do to correct that? We are what we are as the American Nation.

So I go back to photography, and writing, and lamentations.

Tim Schneider: Sepulveda Dam

Sometimes our city shows off a side of its environment that is at once sublime, cinematic, and, perhaps lonely in its vast arid spaces. Sometimes something noble sprouts up in the ground and manifests its greatness before your eyes like the old Sepulveda Dam with its repeating arches and graceful artfulness. 

And sometimes, a friend is made out of the most unlikely of strange and wondrous coincidences, because they showed up at your house, and you took them in, treated them with respect and kindness, and reaped some reward of brotherhood and international understanding and even love.

Last week, before he left town, before the rain came, we hiked over to the Sepulveda Dam before sunset to capture the late afternoon light.

And then the next day, at Burbank Airport, we said goodbye.

Dima Otvertchenko’s Blue Hour Photographs


 

For most of the day, especially in summer, the San Fernando Valley is baked in a stultifying, blinding, suffocating heat and intense sunlight. In those hours, peaking in the afternoon, it is an ugly place. Go to Sherman Way near the 170 at rush hour when its 105 degrees and see if you disagree.

But at dusk, near sundown, the Blue Hour appears.

And photographer Dima Otvertchenko, a New Jersey raised shooter living in North Hollywood, has a particular sensitivity and artistry in capturing our valley after the sun has gone below horizon.

Imagine how temperatures have cooled down after the heat of the day, how people have come home from work, eaten, and finally can go out for walk in a more temperate and gentle city.

His work is modern noir: graceful, atmospheric, cinematic, and magical. This is the San Fernando Valley at its most merciful hour, astutely photographed.

All photographs used with the permission of Dima Otvertchenko.  Here is his Instagram.

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Observations Atop the 134 Bridge After the Storm.


LA River/Griffith Park

After many days of successive, concussive waves of rain swirling into Los Angeles, the hills in Griffith Park were wet, green, and soaked.

I walked there, yesterday afternoon, along the bike path, and the bridle path, at the point where the 134 roars alongside the LA River.

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The storm, now depleted, had moved east, sent into exile. And in the distance, under dark clouds, I saw the Verdugo Mountains, the flat roofed towers of Glendale, and all the man-made highways and power lines: showered and renewed, glistening and spot lighted by sun.

The littered homeless encampment on the island in the middle of the river was vacated. There was nobody else around but me, except for a lone man riding a child’s bike.

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A bridge over the waters and the freeway, a bridge under construction, its metal rods exposed, a messy conglomeration of concrete, lumber, fencing and plywood, that incomplete, torn-up bridge evoked others before her time destroyed by floods.

Angelenos in the 1930s and before lived in fear of the river and put their hope in President Roosevelt. Now we trust the river and fear our president.

Once we trembled under the fury of nature. Now we shudder under the drama of political malfeasance.

After 1940, the army conquered the unpredictable river, contained its fast water, and controlled its deadly fury.

Tomorrow, we trust, we hope, will fold out and reveal itself as it did in Genesis.

“Now the springs of the deep and the floodgates of the heavens had been closed, and the rain had stopped falling from the sky. The water receded steadily from the earth. And God said

never again will I destroy all living creatures, as I have done.

 “As long as the earth endures,

seedtime and harvest,

cold and heat,

summer and winter,

day and night

will never cease.”

LA River/Griffith Park

Yesterday in Burbank.


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Yesterday in Burbank, the sky was clear, clouds sat high and moved fast, the sun sparkled, dust blew, and people rode horses on dirt trails.

On this day, a film student from Canada put on a thermal shirt, petted a horse, picked up a shovel, tried on a jean jacket, and impersonated a life without quite really actually believing in it.

Near the stables, roosters crowed and horses neighed. And the student carried a black bag out of a red barn and walked diagonally past the camera.

The muscular, tattooed man stood timidly next to a white horse in leather blinders. He said he was from the city and had never touched that animal.

In the equestrian district, the air smelled like hay and horse, horse shit and horse sweat.

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Later, along Victory, drops of rain fell and then stopped.

Under the concrete pillars holding up the Golden State, behind a steel fence, illuminated in the mellow end-of-day light, the student stood in mock incarceration, a dark skinned reminder of others who sit in prison, or move beyond borders to chase freedom in other lands.

He later stood shirtless next to a street sign, not unlike the thousands who stand on the streets of Los Angeles waiting for customers, or others who live on the streets because they have no home.

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Processed with VSCOcam with j4 presetAll of it was pretend, and all of it was about capturing light, and setting a mood, an imitation of life.

Yesterday in Burbank was make-believe.

But the light was real and the buildings threw off a gentle and enveloping glow, mitigating the harshness of the city, and offering an alternative imaginary story for jaded urbanites.

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Unstable Atmosphere/ Yesterday, a Strange Light


Yesterday, I went downtown. I took my camera. And I drove, in my meandering way, locally, hunting for light and shadow.

I left Van Nuys and went through Griffith Park and picked up Glendale Blvd where it emerges in Silver Lake and runs down into Echo Park.

1461 Alessandro St.

Near Effie Street, I stopped. And I saw dark clouds hover over the silver skyline, glass glistening coldly.

I parked where dozens of people sleep on the sidewalk next to a storage building and the street ends at steep, ugly concrete stairs. Climbing the steps, I stood near the metal rails and looked towards our downtown draped under an impending storm.

Yesterday, Sunday, a strange light and gentle gloom came in and out, an alternating atmosphere of rain and cold windy gray.

Thoughtlessly happy Los Angeles wore an unfamiliar face. The city everyone thinks they know once again confounded me.

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Near 4th and Main- View NE

I drove on to my destination at 4th and Main.

Downtown, at the art loft, a show at 2A Gallery was closing. The works were those painted by my friend Tam Warner’s father, Orien Lowell Greenough. He died, poor, in 2008. He was a liberal who hated war. His creations on canvas satirized, in depth, the hypocrisy and brutality of the killers and statesmen who run this world. His time had Stalin, Hitler, and Khrushchev.

We have ISIS and Putin, Al-Qaeda and Boko Haram.

The men who put on the show, Clay and Calvin, and their 2A Gallery, had recently come into my friend’s life, nurturing, elevating and sanctifying the late painter and his work. His daughter, after a run of mistreatment by another gallery, was grateful for their care and love.

It seemed as if Orien Lowell Greenough and his work were again going to find recognition in Los Angeles, full validation that had eluded him when he was alive, the story of so many artists, and writers.

And then Calvin and Clay confirmed that they were not only closing the show, but closing out their life in Los Angeles. They would be packing up and moving to McComb, Mississippi to live in a more affordable area. They would leave in 30 days, and drive 4 days across Arizona, New Mexico and Texas, eventually arriving in The Magnolia State, where the flag still flies the colors of The Confederacy.

Everyone was sad. But none more so than my friend, who had made a connection with the newly departing angels who had came out of nowhere to champion undervalued Orien Lowell Greenough.

Tomorrow, there may be money in art, but today you need to eat. Like the dead artist, the living gallery was squashed by the bottom line.

The truth is that they could not afford to live in Los Angeles any more. Or perhaps the truth is that they chose not to live in Los Angeles because home was somewhere else. Truth is subjective- so the artist claims.

Their departure is a loss to this city.

And when I left the loft, calmed by two evaporating beers, I drove in the dark rain through dystopian concrete canyons. I lost my way downtown, and found that my usual entrance onto the 101 was closed. I had to make a detour, a rerouting of my way home, that took me down old Temple Street, and over to Rampart, where I found a wet and slow, hidden and unfamiliar way to get onto the freeway and back home.

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