The Holdouts.




Not far from my house in Van Nuys, there is an unimproved street without gutters or sewers, where the blacktop was probably laid down 80 years ago, past large parcels where grew walnuts, oranges and figs.

On Columbus Avenue, there are perhaps five properties of 20-30,000 square feet each. Most of the houses are rented, ramshackle places with overgrown weeds, dry grasses, cyclone fences, trucks parked on the meridian, and slanted roof cottages housing lawful people and unindicted felons who hide behind tall lumber and cinder block and eek out a living as gardeners, actors, piano tuners and truckers.

Up until the last wave of prosperity crashed into itself, speculators had bought up some of these places, intending to tear them down and stack together stucco developments.

Some of these places, which nobody can sell, might be worth $300,000. But a few years ago they were asking $700,000 and now the owners are defaulting and trying to unload their gambles.

I rode my bike last week and passed a man who I see once a year at my neighbor’s Christmas party and he invited me into his compound where I met dozens of cats, picked figs off the trees, and walked into a Depression Era scene that might have come out of Bonnie and Clyde.

While we talked, another man, a younger man, carrying a Canon DSLR, walked up the very long driveway, and joined us. He was a location scout interested in photographing the place.

There is a lot of filming in our area. A show called “Workaholics” is shooting here now, on a street where many people are jobless but where some young post-collegiate comedians posted a Youtube video and sold a show to Comedy Central.

One might drive past the Workaholics House and see a horse and carriage, or a rowboat tacked up on the roof, and on other occasions I may have seen an elephant hosing down a car, and some old lady with a broom chasing straw hatted kids on skateboards.

Every other week, dozens of trucks and hundreds of crew- members come here, and film a fiction about life in Van Nuys, using our real world as a cheap and ironic backdrop for the callow humorlessness of modern hip Hollywood.

My idea of funny is still “The Dick Van Dyke Show” or “All in the Family” just as my idea of a film is “The Best Years of Our Lives” and my favorite singer is Frank Sinatra and I don’t think any house built after 1945 is attractive.

So I live in the past and I run from the present and wander through this city with a camera and a laptop computer. And hope that someone will anoint me with gold dust.

And escapism, and the ability to dream and imagine, and produce and prosper, that is only for a lucky few in Van Nuys.

The rest are holdouts, living in rented places, or hanging onto places they own but will never own and may lose before they die.

Up on White Oak Place


san fernando valley, originally uploaded by dugm2.

Up on White Oak Place last night: a party for a magazine launch.

The winds were blowing. Buzzing flocks of valet parkers ran to grab cars as partygoers arrived.

A for-sale mansion had been rented, an ornate and preposterously rococo place, elaborate and overdone; sunk under the weight of marble, chandeliers, heavy furniture and cartoon grandeur.

The event celebrated a new publication that will cater to the top one percent of income in the San Fernando Valley and those whose world stretches along Ventura Boulevard and up into these hills.

A Casa de Cadillac Cadillac in red was parked on the driveway. Young and sexy girls in leggy dresses, bartenders carrying trays of wine, and opulent tables of food from various restaurants in the Valley, were sprinkled around the backyard pool.

At one cheese table, I was instructed to eat ginger with a stinky Italian and to place honeycombs atop a goat, and consume silver painted chocolate.

Another table was full of thimble-sized pies whose ingredients were too small for my middle aged eyes to discern.

Big poster boards printed with San Fernando Valley photographs and graphics kept blowing over as the gusts blew across the panoramic backyard and pool.

After my second or third glass of wine, my tongue was unhitched from head, and anything that came to mind I spoke.

An ad salesman told me that his typical reader lived in a mansion “just like this” and that his Facebook page already had “4,000 fans without any publicity”.

I talked with a sharp Italian born professor who teaches languages at CSUN. Tragically, she was imported from Milan to Porter Ranch where she has lived for half a century.

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I went back into the house, detective and decorator, attempting to relate to the exotic style of furnishing inside.

In the dining room, a wide and tall glass fronted cabinet was filled and packed-like a rush-hour Tokyo subway- with Judaica: silver menorahs and tea sets, picture frames, glasses, engraved plates, silver Etrog holders, Kiddush cups, wine goblets. Three enormous black chandeliers danced satanically along the ceiling above onyx tinted granite countertops.

Near the center hallway, a heavy carved wooden desk presented the owner’s business cards for inspection, as if it were a hotel concierge conducting business. Multiple mezuzahs bedecked every interior door, bestowing blessings on bathrooms and bedrooms.

An enormous bathtub was surrounded by plastic bottles of Lubiderm which opened, without shame, to a stadium-sized bedroom where a leonine carved king-sized bed sat under a photographic portrait of a white-bearded Lubovitcher rebbe.

The house swung crazily between devoutness and decadence, minyan and orgy. Sadaam Hussein, Khaddafi, LL Cool J, Angelyne, Donald Trump: if they had collectively hired an architect, this is how it might have looked.

A small red room in the front was crammed full of more gold painted velvet baroque couches and chairs, pushed against the walls-like a Syrian police interrogation room- with a ghastly autographed, NBA orange basketball placed atop a pedestal for admiration….. or possibly worship.

The long wagon train of Jewish history had made its stops in Jerusalem, Tashkent, Tehran, Warsaw, Vienna, Tel Aviv; and finally stopped and unloaded 2,000 years of wares here on White Oak Place in Encino.

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Back in the backyard, I struck up a conversation with a quiet tanned gentleman dressed in an exquisitely tailored Italian blazer.

He had removed himself from the crowd, and sat alone on a lower level of the patio, where he and his wine surveyed the San Fernando Valley.

He told me he had just purchased the jacket that day, in a Goodwill store in Sherman Oaks. He worked as a caregiver to his 93-year-old mother and in his spare time took photos. One of his nighttime photographs of Ventura Boulevard was published in the premiere issue.

I knew then and there that he was like me, a real person in a fake environment, an honest loser at a party celebrating winners, an unemployed man, like many, who had lived in California his whole life and dreamed of escape from the Golden State.

I challenged him to arm wrestle but he said he wouldn’t because he might beat me. He warned me about driving intoxicated. And then he got up and said good-bye.

I waited and sat alone, around the floodlit pool, as sobriety slowly returned. Below me were miles of twinkling lights. And the wind was strong, the air bracing and refreshing.  And I was lost in my thoughts, cleansed, relaxed and free of worry, somewhere atop White Oak Place.

Vietnam War Photographs.


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Steven Curtis is a Hollywood based photographer and Vietnam War veteran. I met him a few years ago and spent an afternoon touring his house, inspecting his vintage camera collection, and learning about his experience as a soldier and shooter (pun intended) in that long ago, but never forgotten conflict.

His photographs can be found here.

Malibu Near Trancas




Malibu Near Trancas, originally uploaded by Here in Van Nuys.

Climate of Contemplation.


Days of clouds, rain and chilly winds; the last few months in Los Angeles rendered this externally driven city of outward brightness and sunny exuberance into a reserved and subjective place where thought and contemplation drifted, like a cool fog, into the mountains and valleys….and mind.

We, formerly tanned, t-shirted and flip-flopped; opened up old plastic containers under our beds and in our closets and dug up thermal shirts, wool sweaters, down jackets and knit caps.

We drank dark malty beers; ate beef stew and consumed glasses of red wine.  We ran from our cars into our houses and curled up on the couch under layers of wool. We felt like we were back in Chicago, on winter break, imagining icy sidewalks and slush filled gutters under the El train.

Sundays on the beach, playing volleyball or biking, swimming or running….. Replaced now by gloved and hatted hikers, and fireside Christmas parties under rain-soaked skies.

The snow came to Stevenson Ranch and even Palm Springs shivered. There was lethargy in our limbs. We caught colds. We lay in bed under an electric blanket. And drank hot tea.

There must have been some compensation by nature or God to account for our inclement weather. Maybe that higher authority, HE who sends the rains across the planet, HE decided to wash the City of Angels in something baptismal and cleansing.

We needed to save money, on water and air-conditioning, and we now have no reason to turn on our outdoor sprinklers. We are devoted to our lawns, but by our prayers they now are damp and fertile.

But mostly we needed the clouds and rains to contemplate, so much, because we have lived in stress and excess, in violence and rhetoric, in bankruptcy and foreclosure, in a strange land of exaggeration and drama, both online and offline, personal and political, where events have spiraled out of control.

Cloudy days and rain, cool weather and bracing winds, these are some of the tranquilizers that spill out of the sky, cooling our burned nerves and returning us to some semblance of spiritual and emotional balance.

California Terrace, Pasadena.



It is Christmas on Califonia Terrace today in Pasadena near the Arroyo Seco.

On a slope, under the very large homes along Grand Avenue, the smaller, intimate, picturesque and cosseted grounds of California Terrace contain a collection of domestic dreaminess.

There are picket fence colonials, like the ones on Martha’s Vineyard, but bathed in warm December sunshine.

A ranch house, borrows from Norman France, with a tapered roof of wooden shingles, copper gutters, casement windows and rows of shutters.

In front of a one house are mission lights with hand-painted glass, gnarled oak trees, golden sycamore leaves, landscaped beds of succulents; herbs, lime, lemon, tangerine and orange trees.

A happy, clean-cut gang of young athletes, dressed in soccer uniforms, pours out of a house. They are laughing and pushing, jumping and running and piling into waiting cars.

This is winter in Pasadena because it is Christmas.

This is spring in Pasadena because there is rain in the air and there are green buds on the bushes, daisies, roses, lavender and rosemary.

This is summer– the brilliant blue sky and warm light tell me so.

This is fall because the deciduous trees have dropped their leaves on the ground and the there is much to rake up.

I must be in California because it is all happening at once and none of it is real.  Yet I stand here in reality; alive and merry on Christmas Day.