Walking Along the 6th Street Bridge.


I finally made it down to the 6th Street Bridge.

It’s an impressive structure that leaps and struts and flies over rail tracks and factories, electric yards and the river. It is startlingly plain, almost crude in its sculpted mass and bending arches. There are raw bolts attaching the cables to the concrete. Steel fences stretch along the pedestrian walkway. Dark shadows and blinding sun mark the bridge from beginning to end.

Unyielding in substance, rigid, unforgiving, brutal; it is a stage for fast cars, reckless driving and unintentional suicide. But also a balletic performance of geometric shapes and unexpected revelations along the way.

Mute yet expressive, untested in the long term, it is a baby of this metropolis. And born to a city that abandoned it to a wasteland which one day may be remade with trees, parks and apartments; or left behind to become yet another great, unfulfilled California promise.

Walking here last Saturday, August 26th, I thought of the late Mike Davis (City of Quartz) who wrote brutally and trenchantly about Los Angeles.

I don’t have his exact words, but in that book he described an architecture of barbed wire, steel gates, security cameras, the way this city is set up like a penitentiary with hostile inmates surrounded by deterrents, police and threatening lethality.

The 6th Street Bridge, ironically, has earned a reputation for criminal mayhem: daredevil driving and people who climb upon the arches to show off. I saw no rowdiness, in fact the road was remarkably empty and we only passed a few pedestrians. But in all directions artificial and man made structures are the entirety. Absolutely nothing is natural. The lone exception I saw was a cellphone tower who identified as a palm tree.