In the archives of the Los Angeles Public Library are many old photographs from defunct newspapers such as the Valley Times and the Herald Examiner.
Thanksgiving is always a holiday where family, togetherness, food, and feeding the hungry are foremost.
The old ways of thinking about this holiday are on display in some of the images below, taken in the 1950s and 60s.
November 21, 1956: Mrs. John A. Gallagher prepares turkey for her grandchildren, Donna Lyn Dumont, 8 and Glenn Dumont, 4.November 17, 1953: Puritan Hat Decorations to symbolize founding fathers’ generous spirit. Las Candelas party for children at Camarillo Hospital. Mmes: Guy M. Bartlett, Lemon Blanchard and Eugene H. Dyer, of North Hollywood.November 23, 1964: Mrs. Seven and daughter Laura prepare Thanksgiving meal with their new feathers and headbands worn as a salute to the Indians who ate with white settlers on the holiday. November 18, 1961: Actor Gerald Lazarre seems to be trying something new: drying dishes as he assists his wife, actress Julie North, in preparation for Thanksgiving dinner at their home in North Hollywood. November 23, 1961: The Sawlsvilles of Sepulveda. After their parents died, these seven grandchildren were adopted by their grandparents. The elder Sawlsvilles also have three children of their own. 1968: Salvation Army 1954: Children pray before meal at Salvation Army.
Since teaching myself digital photography in 2006, I have taken my camera around Van Nuys and vicinity in search of beautiful light.
Here are some selections of images with some commentary.
Van Nuys, CA
These serrated steel buildings along Calvert St have always fascinated me.
I don’t know how old they are, but I always imagined them as packing houses for citrus fruits, as they are one block from the old Southern Pacific Railroad tracks.
Van Nuys, CA 91405
Built: 1963
Somewhere along Hazeltine (I think) is this structure supported on one side by a wall and an open air garage. It has that flat roofed, decorative frivolity characteristic of the early 1960s, when crime and rents were low and one could confidently hop into a small unit with your automobile safely tucked underneath.
These stores were up on Van Nuys Boulevard, later vacated, partially torn down, then left in ruins, and today may be completely gone. They have a colorful flatness to them, with their individual signs, murals, and Spanish and English names. They are humble yet fantastic in their culmination of the American Dream.
Along Gilmore St. just west of Van Nuys Bl. is another one of those wasted opportunities, a courtyard of concrete behind jail doors, just waiting for a $5 million dollar investment in grass, trees, fountains and hope.
This characterizes Victory Bl., the buildings that house the new immigrants, complete with shopping baskets, balconies with potted plants, drying rugs, bed sheet curtains, and Frenchified ornaments rendered in milk coffee stucco.
Ugly but thriving is how I would describe this shopping plaza, a place I just visited today to get my knives sharpened. Lido Pizza has been in business for half a century, serving up pizzas and pastas to a widening clientele.
6738 Hazeltine Avenue, Van Nuys, CA 91405
This too is gone, a lovely little stucco house from the 1920s, a survivor from the days when this was just a quaint, walkable country town in the San Fernando Valley.
Van Nuys, CA
We have some of the harshest and cruelest surroundings in Los Angeles, merciless in their violent materials: steel, fencing, barbed wires, concrete, dogs, guns, security cameras. But man cannot defeat the gentle sun that sets each evening and wraps everything in a soft pink embrace. (Calvert St.)
This is along Kester Avenue, near Delano, one of many auto repair shops that are destined for extinction when all cars turn electric. For now, they hum along, confident in their usefulness, like typewriter sellers in 1973.
One story shops line ten lane wide Sepulveda Boulevard near the Orange Line. Zoned for this back in the 1950s, they should all be twenty or thirty stories tall and filled with new apartments.
The poorly named Skid Row Housing Trust hired architect Michael Maltzan to design these supportive units of white and colored panels, set back from the street inside landscaped gardens. Opposed by the community, they somehow prevailed and are better looking than anything else for ten square miles. (Sherman Way near Woodman)
Nothing has tempered and delighted the Valley more than liquor. D&K is one of the surviving old style sellers of booze, cigarettes and lottery tickets, items considered as effective as prayer to its users. (Saticoy near Sepulveda).
Nearly ten years ago, this rain soaked parking lot along Sepulveda near Sherman Way was briefly lovely to look at in the reflection of its asphalt.
I don’t know who this vaping teen was, but he looked cool to me in 2012 standing along Sherman Way near VNB.
This 1950s modern house on Kittridge near Noble in Van Nuys was open for viewing in the early 2010s. An outdoor laundry line and plastic chair are humbler reminders that clothes washing will always be an essential aspect of human existence.
The headquarters of the famed architectural metal shop Pashupatina is a jewel of the Kesterville District along Aetna Avenue. Architect Natalie Magarian worked with her husband Ivan Gomez to transform this humble shop into a stunning, light filled shop that turns out custom hardware for the wealthiest Angelenos. (2017)
Van Nuys, CA.
In the mid 2010s it was still possible to walk and embrace on the Raymer Avenue Bridge in Van Nuys, even though surroundings were grungy. Today, the bridge is completely covered by garbage and debris, and is the the home of several trash camps who took over a once public right-of-way.
This is another industrial building, recently the backdrop for an extensive homeless encampment, but in the early 2010s it was just an empty structure with a sign.
There is new construction fencing and green tarps in front of 6505 Columbus. A building permit has been created for a new single-family house on the one-acre site of the former Rancho Perfecto which I wrote about in 2019.
The idea that the land will be graced with just one single house is ludicrous. Every property in the neighborhood is stuffed to the gills with accessory dwelling units, vehicles or marijuana gardens. And, in 2021, any one house on a given lot in Los Angeles must self-procreate.
The property is near the corner of Columbus and Hamlin. It is across the street from the blue sign, “Columbus.” Mrs. Tweddle, a writing teacher, resides opposite this lot and runs a school for writers, You Tell Yours . A couple of blocks north is the Columbus Avenue School. All around there are signs, schools, teachers and the word Columbus.
Columbus is everywhere.
But the new sign is 6505 Columus.
A bad omen for that architectural phrase: God is in the details.
Given the paucity of refined signage what will the new house look like?
I expect high walls, cinderblock and iron, and a lot of concrete to park large vehicles, Hummers, SUVs, dump trucks, and monster trucks. There will be high security cameras and floodlights all around, and perhaps a triple story, double front door leading into a vast marble hallway with plastic seating and a pool table. The style will be Home Depot on the Range.
This was once a pretty nice place to live, before the city and state went to hell.
On January 15, 1950, this property and original house was listed in the LA Times at $22,500.
Large 6 rm ranch type with 1 ½ ba. plus guest house, rumpus room & bath, laundry house, tool house, large double garage with storage closets. Patio, lighted badminton court, bbq and plenty of shade and fruit trees and roses.
Since the pandemic began every single one of my relationships were tested. Some failed, some succeeded, some ended.
Sitting at home, mostly in the room with my computer, I scrolled catastrophic headlines.
Outside the world got quieter as people stopped working.
There was one month, April 2020, where it seemed that there was no longer any traffic noise from the freeway, and no planes flew in the sky, and nobody went past my house, except for the few, the lone, the masked.
In the backyard garden, hummingbirds, bees, and butterflies flew around purple flowered plants, oblivious to Covid-19. The wind blew, the air was clean, the sky sparkled, it was the glorious, refreshing epoch of days without cars.
My partner started working from home. We ordered groceries from Instacart. Then, a few months into the pandemic, he went out in N95 mask to buy groceries. And spent three hours washing them down.
An old friend from Chicago, who I stopped speaking to a few years earlier, contacted me on Facebook. “I miss you. And with this pandemic going on, I want to reconnect,” she said.
We talked on the phone. She told me about her catastrophic illness, a brain infection that almost killed her, her hospitalization, her loss of balance, partial eyesight, and the emotional pain of applying to the State of Illinois for disability funds.
Back and forth we texted. Until the texts were too numerous, hurling into the middle of my day, as I was sitting in my house, writing or reading. Did I have to answer them? Did I need to say I liked her choice of basement décor? Did I have to text back when she sent a photo of a pie her daughter made? Did I have to thumbs up for that Benjamin Moore paint chip?
Somehow, I no longer wanted to be involved with her. Was it the pandemic? Was it the emotions she provoked? I don’t know. I just wanted to be left alone.
And she tried to keep it going, bringing nostalgia into it, reminiscing about old friends, telling me she loved to watch re-runs of Bewitched. The more she reached out the less I wanted to engage. Was it the pandemic? Me?
Aunt Millie was not allowed to leave her room at Lincolnwood (IL) Place. The 96-year-old had to stay inside her assisted living apartment for a year. We would talk every few weeks. The conversation and facts repeated.
“Are you writing Andy?” she asked.
“Yes. I’m finishing my novel, Exiles Under the Bridge, about two families in 1980s Pasadena,” I answered.
“You’re writing a novel? I didn’t know that. You’re a very talented writer. You should keep writing,” she said.
We would talk again in two weeks. I would tell her I was writing a novel. She would tell me how talented I was. And she would tell me she could not leave her room.
“Millie! Stay in your room! That’s what they yell at me,” she said.
The months dragged on. The months flew past.
George Floyd was killed, the rioters sacked the cities, the protestors protested masks, business closures, or police violence; others ran red lights, shot guns, launched fireworks, got into fights in grocery stores, yelled about the most corrupt election ever, invaded the Capital as the electoral college was being certified.
The American Flag was weaponized, partitioned, and privatized, held like a spear to fight for liberty in battles against imaginary enemies .
Our world of beautiful wickedness is melting, melting, melting.
I did chin-ups, got to five. I got my bike fixed and pedaled west into the sun. I wrote short stories, finished my novel, sent out my novel, got 130 rejections.
The parks went up in flames, the homeless set fires along the freeways, the windows of the shops were boarded up, the hospitals were full of sick and dying people, and nobody was allowed to swim in the ocean.
The former president pleaded for rage and misunderstanding.
At five o’clock, every single day, Mayor Eric Garcetti spoke; clean shaven, untouched by fervency, updating us on his city’s response to the pandemic.
Some weeks businesses were essential and they were open. Other weeks businesses were non-essential and they were closed. Some wore masks and some did not, some stayed apart and some got together, certainly all were uncertain, guided by magic and intuition.
And I bought a mixer to make smoothies with bananas, ice, blueberries, milk and protein powder.
My best friend invited me to a Christmas party when nobody was vaccinated. I declined. He didn’t believe Covid was that big. In the beginning of the pandemic, he urged people to cough on each other to get us up to herd immunity.
I used to drink beer at the local brewery a few times a month. Now I don’t go. Have I stopped liking beer? Have I stopped liking people? I don’t know. I stay at home and mix up a Negroni or pour a glass of whisky over ice, in the kitchen, alone.
We got our vaccines in January, courtesy of the connected relative who works with a health clinic in South Los Angeles.
We went down there, lining up, in another very poor neighborhood, next to the homeless in their RVs. We stood in line, awaiting vaccinations, as other Hollywood friends and acquaintances of the relative arrived in their Teslas and Mercedes: the thin women with blond hair and $300 sweat pants, the ass hole boomer executives with their 25-year-old girlfriends.
We were the first to get our shots. Hollywood was vaccinated. “The Bachelor” could go back into production.
On February 1st I was fully vaccinated. Only one percent were at that time. I felt guilty. Had I stepped in line before the truly needy?
Now vaccines are available for everyone, but some choose not to avail themselves.
Like my friend Bajoda in New York.
A schoolteacher, a scoliotic, a smoker; 56-years-old, a vaccine skeptic. With a chain-smoking boyfriend who believes that Covid is no worse than a head cold. She was scared. She heard the vaccine could damage your liver.
I yelled at her. Stupid, ignorant, self-destructive, risking your life! She texted the next day and said her daughter made an appointment for her to get vaccinated.
We made up. I told her I only yelled because I care. She texted me a red valentine. If my cruelty and ugly words induced her to get the vaccine maybe it was worth it.
I texted her to find out how the second shot went. I texted again. But she didn’t answer. And I left a message but no answer. And I texted again but no response.
Since the pandemic began every single one of my relationships were tested. Some failed, some succeeded, some ended.
Sometime in early September, Uncle Paul, veteran of Leyte Island and Iwo Jima; widow, father, grandfather, great-grandfather; will celebrate his 100th Birthday. And his son Barry is already planning a backyard blowout in Woodland Hills. Many of the guests will be over 65, 75, 85, or 95.
They are expecting at least 100 or 150 guests. Who wouldn’t want to honor him? Who wouldn’t go to celebrate his birthday? Who would fear the Delta variant in a packed house of old people?
Since the pandemic began, two babies were born in our family: Edwina’s Zoe in Diamond Bar, Jacinda’s Julia in Singapore. Penny is grandmother to both. She lives in Malaysia and cannot enter next-door Singapore. Penny has never met her two new granddaughters.
But later this month, vaccinated Penny and Jacinda, and baby Julia will fly from Singapore to Los Angeles to meet the Americans.
And the joy of seeing them reunited is tempered by the fear of the unknown. How do we overcome it? How will we move on when we suspect and fear closeness to the ones we love the most?
Community leaders, developers, planners, business people, and boosters are forever promising a brighter day tomorrow.
So it was in Van Nuys nearly 60 years ago.
The new police station, a striking piece of $5 million dollar architecture, whose inspiration appears to be many vertically positioned Philco televisions, was nearing completion on March 29, 1963. The grand civic center, a pedestrian promenade, a library, and several court buildings would complete the ensemble.
1959 Philco Predicta Television
On February 16, 1963, 400 well-groomed white people gathered at the Masonic Temple Lodge on Sherman Way to view the exciting land use plans unveiled by the Los Angeles Planning Department governing the future development of Van Nuys.
A mystery remains: Why was a law enforcement structure removed from the street and shoved way back behind a deserted pedestrian mall?
The idea that a police station, whose presence is ostensibly there to prevent crime, should be buried far from the streets where officers patrol, is one of the confounding results of architectural planning which often presents glorious schematics but fails to consider practical results. Van Nuys Boulevard today is a ghost town, except for those who are there to make crime. A cop or two might reassure diners, drinkers, and those who are out for a nighttime stroll.
And the plans for Van Nuys? What have they produced in the last six decades? Probably the largest conglomeration of urban ugliness, environmental catastrophe and social upheavals within the entire United States.
Our surroundings are here to serve only the needs of cars, our air is dirty, our parks few and overrun with garbage and homeless, and we live under the daily and nightly sounds of gunfire, fireworks, sirens and patrolling helicopters. Our rivers are concrete, our boulevards are decorated with billboards and wooden traffic poles, our corner stores are marijuana outlets or parking lots, and the sidewalks are festooned with shopping carts, discarded sofas and tents.
Though most everything along the wide streets looks like impoverished crapola, the rents are exorbitant, and a “starter” home is $800,000. Any efforts to build higher than four stories brings out the angry loudmouths on NextDoor, and developers are maligned and despised by the general public while bearing ridiculous regulations that require onerous fees and expensive construction that inflates costs and discourages new housing. The little old lady, who inherited the three bedroom ranch house from her parents, and pays $300 a year in property taxes, is usually the bitterest one of all.
“I pay taxes! Why does everything look like shit!” she screams.
What kind of city do we live in? What is wrong with us?
Our system of life on Earth is failing globally, and especially here in Van Nuys.
The lesson: beware of great promises made by the powerful for they only care about themselves.
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