El Color de La Vida.


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Before the cold rains struck the San Fernando Valley late Monday afternoon, dark and menacing storm clouds went into formation.

Seen from the empty asphalt of an abandoned parking in Panorama City, the view east lived up to its name. The craggy, inky, rock-topped San Gabriels permitted fog to brush their face.

Eager to pursue the dark light show, we drove east on Roscoe where it opens up under the high voltage lines, across the valley, under the concrete freeway, cutting diagonally up Tuxford, emerging into the industrial abattoir of Pacoima where death and life, and light and shadow hunt under smokestacks and behind motels.

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The rains came down on Van Nuys Boulevard and San Fernando Road, soaking Chabelita’s Restaurant, Gallardo’s Auto Repair, Fierro’s Muffler, Franco Tires, JC and Son Welding, and the Coral Bells Motel.

And then, in the mode of Los Angeles, the sky cleared. A vast, blue vista opened up. A cold wind followed.

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Carrying our cameras, we passed men who eyed us with suspicion. Señor Fierro came out of his muffler shop and kindly asked us why we were taking pictures. I handed him my card and told him how beautiful the sky was. He seemed to agree.

These people work hard. They come from lands where blood soaks the cross and breaks the heart. Now they weld metal and change tires and cut hair and dig trenches. Here are these Americans whose presence makes us American.

San Fernando Road is also part of Route 66. The historic state sign says so. The old motels along the highway attest to a long history of travellers who made their way into California: on foot, by automobile, in the back of trucks, hidden inside freight trains.

They got here and slept on the floor, two or three to a bed. Some had no papers. Some had no money. They were somewhere strange and hostile, but free, free to pursue and put down roots and stop running.

But death caught some too young. Some died under trains, running across tracks after the signal, or purposely running into death to escape the misery of life.

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Pacoima is strong. Its buildings are painted in the deepest blues, oranges, yellows, reds and greens. There is no room for ambiguity in hue. The choices are laid out in bright sunlight. The devil and the angel battle here. You can eat well or go hungry. You can get pregnant and high, or go to school and study hard. You can pray or you drive drunk into a wall. Pick the orange off the tree or the prostitute off the street. It’s up to you.

On walls, adjoining muffler shops and liquor stores, are murals of mythological, cultural and aesthetic magnificence. Poor Pacoima has more beautiful public art than Beverly Hills. And there is even a wall-sized portrait of that savior and scoundrel El Niño. Artist Levi Ponce is the Michaelangelo of this district.

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El Niño, as we all know, is in town for a few weeks. He may pay up or he may skip town without leaving payment. Nobody knows.

But Pacoima will carry on.

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They Had Promised Rain.


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They had promised rain.

We were going to be drenched, drowned, and flooded.

The clouds would stay overhead for months, and there would be endless days of mudslides, dark clouds and gray skies.

They had promised rain, clearly, and said it in English, many times; the word was rain, but there was so much of it and they had renamed him El Niño.

For maybe one or two days there was rain and it came down and drenched the garden and it seemed that relief was on its way.

But the heat and the sun, and that blinding light, the kind that throws deep shadows on surfaces, came back.

The hot winds, the cloudless skies, the bees and the mosquitos, the dust and the fires, and the furnace of the car parked in the sun with black seats that burn your ass when you sit down.

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In Hancock Park, last Saturday, the air smelled like smoke, and lungs labored hard to bring in oxygen.

But on curved streets with swept sidewalks and trimmed hedges, homes glowed, in the inferno.

Movie star beauties, these residences, from the 1920s and 30s, photographed like Garbo and Gable, in black and white.

They retained dignity, reserving in elegance, those rights given to the rich, to remain unaffected by external events, to quietly succeed by dint of elitism, and transcend the hot weather through graceful form.

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Between the Rains


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It was a perfect day to stay in, a rainy Sunday, windy and wet.

Chicken Cacciatore with mashed potatoes would come later in the day, but sometime in the middle of the afternoon, I went outside, between the rains, and walked around the neighborhood.

Gutterless Columbus streamed slow, dark rivers, past neglected houses and errant yards.

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On Haynes, an impromptu lake formed at the end of the street, temporarily transforming a ranch house into a lakeside cabin.

Blown down palm fronds littered Hamlin Street.  And up in the sky a patch of blue, like the eye of God, looked down on Earth.

Lord knows we need rain.

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There are no sudden storms in the Southland.


There are no sudden storms in the Southland.

They are slow, and anticipated for many days before arrival.

The rains of Los Angeles are not the violent and fast moving ones from my youth in Illinois.

They come from San Francisco, imported and exotic, served only in winter.

They travel, as if on a slow moving freight train, chugging down across the mountains, picking up wind and moving clouds with great effort, until, by eminent domain, they seize this region in rains, pushing out that squatter the sun, drenching the city in something purifying and disorienting, dark and light; a benevolent symphony of Earth’s workings, cleansing and renewing.

The rains of Los Angeles are a strange corrective of nature. They are more powerful and more intimidating than the human cesspool city of sudden violence and crashing cars. The Army of the Clouds is a conqueror who must be obeyed. Under occupation, rivers are rerouted, trees blown over, electrical current shut off, oceans churned, roads made impassible.

But they are kind in power, artful in practice.

They transform the ugliness of asphalt into reflecting pools.

They tame cars, dragging them through curbside baths.

They throw dark daytime shadows across the city.

And after they pass, one looks east, towards Pasadena and the nation beyond it.

And we stand, once again in the sun, in the Southland, in our winter.

Left to our own devices.

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Rain in Van Nuys: November 14, 1952



From the USC Digital Archives come these photographs of flooding in Van Nuys at Tyrone and Sylvan Streets (a block east of the Valley Municipal Building) after heavy rains.

Caption reads: “Mrs. Agnes Snyder removes debris from car on flooded street. Wayne WIlson (bare foot) crosses St. Overall views of flooded Tyrone Ave. — cars submerged. Kids in stalled car.”

There are smiles on the faces of people, a lack of jadedness, that seems characteristic of that era. The hardship is harmless, nobody is getting hurt, the flooding is inconvenient and messy, but they are making the best of it.

Imagine the same situation in today’s Van Nuys.

A herd of fatties stuck inside their SUV, DVD player and boom boxes blaring, everyone on their mobile phones, three enormous women with tattoos, dressed in black leggings, broadcasting their “movie” on their smartphones with scowling and angry faces, never knowing how to live in the moment.

Los Angeles, Oregon.


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Los Angeles is not, by nature, an introverted, bundled up, snuggly, gray, rainy city.

But this year, the rains came early.

And we have had several weeks of storms, cold nights, blustery evenings.
And sparkling days with intermittent showers and drizzles, puddles and frost.

Nearby, up in the mountains, the nights are much colder and snow has fallen, snow that is visible way down here in the San Fernando Valley.

These few days, between Christmas and New Year’s, transformed and tamed the City of Angels into a Portlandia: wool sweaters, hot green tea in gloved hands, dog walkers and hikers encased in down jackets and flannel shirts, Icelandic wool caps and long scarves.

In Studio City, at 3pm on a Thursday afternoon, Laurel Tavern was filled with down-vested drinkers.

In Van Nuys, there were hardly any barking dogs left outside at night.
Only the occasional swoop of the helicopter…

I went up to the rocky, steep and trampled dirt of Runyon Canyon a few days ago. From that high altitude, I climbed higher to a mountain overlook, a physical cliff, where the streets spread out below in every direction and I could see for miles from downtown to Catalina Island.

This is where you come with your parents when they visit from out of town.
And you can sometimes convince them of this city’s virtues, because they meet its bright views absent its shady people.

And again today I went up into Wilacre Park above Studio City to capture something as brief and beautiful as a child walking for the first time: a sun and smog cursed city magnificently and somberly draped in dark and gray clouds, chilled, sobered and intellectualized by the absence of suffocating heat and blinding light.

A meteorological delusion. This is not Los Angeles. But the camera captured it. It must be real.

Refreshed and purified, swept clean for the New Year, the city and the region, ready to welcome 2013, another year, which will once again dump its toxins of illness, worry, debt, violence, deceit, sadness and broken hearts into our lingering days.

I could live here happily if it just looked sadder a few more months of the year.